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Runaways, The

Generally favorable reviews
Based on 35 critic reviews
How did we calculate this?
Based on 40 votes
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Movie Info
Genre(s): Drama | Musical
Written by: Floria Sigismondi
Directed by: Floria Sigismondi
Release Date:
Theatrical: March 19, 2010
DVD: July 20, 2010
Running Time: 109 minutes, Color
Origin: USA
Summary
RATING: R for language, drug use and sexual content - all involving teens
Starring Kristen Stewart, Dakota Fanning, Michael Shannon, Danielle Riley Keough, Scout Taylor-Compton, Stella Maeve, and Tatum O'Neal
The film follows two friends, Joan Jett and Cherie Currie, as they rise from rebellious Southern California kids to rock stars of the now legendary group that paved the way for future generations of girl bands. Joan and Cherie fall under the Svengali-like influence of rock impresario Kim Fowley, played by Michael Shannon, who turns the group into an outrageous success and a family of misfits. With its tough-chick image and raw talent, the band quickly earns a name for itself—and so do its two leads: Joan is the band’s pure rock 'n' roll heart, while Cherie, with her Bowie-Bardot looks, is the sex kitten. Written and directed by Floria Sigismondi, the film chronicles Joan and Cherie's tumultuous relationship on and off stage, as the band starts to break out. (Apparition)
Also On The Web: Internet Movie Database Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Chicago Tribune Michael Phillips
A rich and surprisingly old-fashioned musical biopic, The Runaways has neither the bloat nor the blather of your average Hollywood treatment of stars on the rise.
Read Full Review >St. Petersburg Times Steve Persall
The Runaways isn't just about rock 'n' roll; it IS rock 'n' roll, as loud, sexy, sometimes sloppy and ultimately exhilarating as the music can be.
Read Full Review >Salon.com Stephanie Zacharek
The best rock 'n' roll movies are less about strict authenticity than about capturing a vibe. And The Runaways gets the vibe just right, from its opening shot.
Read Full Review >San Francisco Chronicle Mick LaSalle
The strength and beauty of The Runaways are that it tells the truth.
Read Full Review >The Globe and Mail (Toronto) Liam Lacey
The Runaways captures the sleaze and innocence of the era and has some still-relevant things to say about the conflict between girl-rocker empowerment and exploitation.
Read Full Review >USA Today Claudia Puig
It's an artistic and authentic evocation of an era but a rather surface-skimming story of the '70s all-girl rock band fronted by Joan Jett and Cherie Currie. If anything, it just makes you want to know more about Jett's back story and Currie's subsequent life.
Read Full Review >Orlando Sentinel Roger Moore
It is a well-acted and vivid re-creation of a dark, downbeat era when “girls don’t play electric guitar,” and you had to be someone pretty tough and pretty special to try it.
Read Full Review >St. Louis Post-Dispatch Joe Williams
Because the movie captures the period so well and argues so convincingly that the Runaways' very existence was revolutionary, it doesn't have to exaggerate the highs and lows to create a more salable story.
Read Full Review >Boston Globe Ty Burr
In rock, it’s about the attitude as much as the music. In some cases, more so. And the Runaways were all attitude.
Read Full Review >Washington Post Ann Hornaday
A soaring, sympathetic ode to the outlaws, subversives and insurgents who occupy the edges of popular culture, making them safe for everyone else's dreams.
Read Full Review >Christian Science Monitor Peter Rainer
Much of The Runaways plays out in the key of dreary. But there’s a flinty integrity in this movie’s look at the rock grind, and Stewart and Fanning are intensely watchable.
Read Full Review >Chicago Sun-Times Roger Ebert
Its interest comes from Shannon's fierce and sadistic training scenes as Kim Fowley, and from the intrinsic qualities of the performances by Stewart and Fanning, who bring more to their characters than the script provides.
Read Full Review >ReelViews James Berardinelli
The three leads provide convincing performances, with Dakota Fanning being the standout.
Read Full Review >Village Voice Karina Longworth
In The Runaways' first hour, there's a guttural pleasure to be had in riding waves of rock-movie cliché spiked with socio-sexual commentary. The movie is at its best when working through the contradictions of teen sex-for-sale, when it's both turn-on and creep-out.
Read Full Review >Arizona Republic Bill Goodykoontz
The Runaways broke new ground. And if "The Runaways" doesn't, it's still a movie worth watching - and listening to.
Read Full Review >The Hollywood Reporter Kirk Honeycutt
The vigor and pace is electric, and the movie features three showy performances by Kristen Stewart, Dakota Fanning and Michael Shannon.
Read Full Review >Variety Dennis Harvey
A conventionally enjoyable making-and-breaking-of-the-band saga.
Read Full Review >Chicago Reader J.R. Jones
Michael Shannon (Revolutionary Road) steals his every scene as the aphorism-spouting Fowley while Kristen Stewart and Dakota Fanning often fade into the 70s wallpaper as guitarist Joan Jett and front woman Cherie Currie.
Read Full Review >The New York Times A.O. Scott
The movie may be a little too tame in the end, but at its best it is just wild enough.
Read Full Review >Slate Dana Stevens
The wispy insubstantiality of The Runaways can't be blamed on its cast--Fanning, Stewart, and Shannon are all good in their roles, even if their range is never tested. Ultimately, maybe it's OK that there's not much below the surface of this great-looking but shallow movie.
Read Full Review >Austin Chronicle Marc Savlov
The Runaways nails both the glammy, SoCal temper of the mid-Seventies and the metallurgic tempering of the first all-girl rock band in America.
Read Full Review >Entertainment Weekly Owen Gleiberman
The most entertaining thing about The Runaways, a highly watchable if mostly run-of-the-mill group biopic, is that its writer-director, Floria Sigismondi, has a sixth sense for how the Runaways were bad-angel icons first and a rock & roll band second.
Read Full Review >Philadelphia Inquirer Carrie Rickey
Despite Sigismondi's fresh eye, feminist perspective, and rapport with actors, The Runaways feels like a long-form music video, recycling every trope from the doomed-rocker handbook.
Read Full Review >Rolling Stone Peter Travers
Say what you will about the Runaways – they never played it safe. The movie does.
Read Full Review >New Orleans Times-Picayune Mike Scott
For her part, Stewart has Jett down pat: her strut, her slouch, her sexiness. This is a performance that goes far beyond Jett's shag haircut.
Read Full Review >New York Daily News Elizabeth Weitzman
Fanning's Currie grabs the spotlight immediately, and never lets go.
Read Full Review >Los Angeles Times Betsy Sharkey
The problem with The Runaways is that they went with the wrong girl.
Read Full Review >Time Out New York Joshua Rothkopf
There’s lots of volume in these tunes--the soundtrack is killer--and at least everyone gets their rocks off.
Read Full Review >Boxoffice Magazine Ray Greene
Far from a perfect movie, but there are moments when it comes about as close to catching the visceral kick of the pre-iPod rock experience as any film I’ve ever seen.
Read Full Review >New York Magazine David Edelstein
In patches it’s agreeably lurid, but it’s otherwise ho-hum.
Read Full Review >New York Observer Sara Vilkomerson
It’s when the music stops that we run into problems. For starters, there are so many questions left unanswered.
Read Full Review >The Onion (A.V. Club) Nathan Rabin
They’re now the first major all-girl punk band to inspire a bleary, excessive, and altogether mediocre big-screen biography.
Read Full Review >Portland Oregonian Shawn Levy
A movie that tells -- or rather, circles -- the story of the band’s formation and abortive career.
Read Full Review >Miami Herald Rene Rodriguez
The Runaways ultimately feels too lethargic and conventional for the wild story it tells.
Read Full Review >What Our Users Said
The average user rating for this movie is 6.9 (out of 10) based on 40 User Votes
Note: User votes are NOT included in the Metascore calculation.
patti F gave it a1:
Meh, the soundtrack was good. I don't remember Joan Jett being so awkward. Overall, I wish I had waited for it to be available on HBO or something. As a story, it didn't get my attention as much as the documentary that was done a few years back.
Kevin B gave it a10:
If you grew up in the 70's and listened to this music, then this is a must see.
FreeJeff gave it a5:
I would only recommend this movie if you have a particular interest in the band or that era in rock history. Even on that level it's flat. Despite good acting performances, the screenplay is a tediously predictable "rise and fall of" cliche, and it's lacking the raw energy of the music. Too bad, the subject matter deserves better.
jose e gave it an8:
The best thing about this film were the performances. Dakota Fanning was brilliant. This is the type of performance that will be talked about for years. Stewart was also very good as was Shannon. Overall, very entertaining. Flawed but entertaining. See it. Trust me. You'll like it. Maybe even love it.
Scott Y gave it a10:
Movie. Kicked. Ass.
Abbylee gave it a2:
Kristen Stewart was not spot on as Joan Jett. She was awful and it was obvious that she was trying to be punk. It was like watching Bella Swan with black eyeliner. She only knows how to play herself and that's not a good thing. The struggle to attempt to show emotion is always evident. Dakota Fanning showed some range and gave a convincing performance as Cherie, though some scenes seemed too forced, which could be her fault or the fault of the director or the scipt. Michael Shannon was brilliant. Some lines were way too cheesy to be cool.
Beth R. gave it an8:
Nice cinematography, good music. Stewart gives an excellent performance, she embodies Joan Jett and has a real presence on screen. Story is a bit jumbled though.
